Logo
  • jongJelajah! with SIA, Debate on : New Asian Architecture Beyond Catch Up (ketchup)

    21 July 2011 by p.khrisno.a.
    Categories: Brilliant!, We are Architects

    RUBANISM AND URBANISM: ARCHITECTURE’S CHALLENGE OF OUR TIME

    30.1/11

    Tay Kheng Soon

    I feel compelled to enter the discussion. While I appreciate the sentiments and good intentions some have expressed, I have to comment that there is a lot of conceptual confusion in architecture discourse to be cleared up not least because it is derived from certain blind spots due to our self-interest of being beneficiaries of the urban middle class economy we take to be our natural right and reality. Naturally, we tend to think from where we stand. Architecture is thus, for us, a matter of identity making; a matter of appropriate style; of being up-to-date. Architecture has become a consumable; a product like everything else, a style, a personal statement. I therefore urge a more introspective and wider perceptive in order to revitalize the discipline and indeed our life and our purpose.

    Our profession has always had a conscience and this makes us vex over the plight of the poor, the disadvantaged and the degradation of environment. But we tend not to question the urban context wherein most of us practice. We believe that urbanism bestows modernity, cosmopolitan culture, intellectual and artistic stimulation and humanistic concerns. We thus equate urbanism with progress itself, civilization and modernity. We urge that through better planning, infrastructure development and social welfare and education for the less privileged believe that eventually everyone will be uplifted. We don’t see a paradigm shift. We find purpose in this for ourselves. And so meanwhile we are critical of the poor management, the corruption and inaptitude of politicians and the bureaucracy but we remain uncritical of the consumption model on which the current developmentalist model of urbanism and urbanity is based. We believe we can do better without changing the paradigm. But we are unconscious of the limits of our ‘criticality’. To be really critical we have to deconstruct urbanism itself. But this would undermine the very plank on which we the middle class are perched. It is thus not easy that is why it is not done.

    True, Asia did not have the wealth derived from colonial exploitation when it embarked on the further urbanisation of our cities after the colonial powers left. Though they left politically, they left behind the conceptual and economic system of an urbanized world order based on middleclass consumption and compliance. The radical movements espoused by the communists also failed. Based on this, the “free world”in Asia our cities exploded in size as the poor drifted to the cities. The failure of the various experiments with economic and political autarky justified this. The countrysides were neglected. Their failure was inevitable. The poor flooded to the cities. Globalization was the great new force that became the new tool wielded by the great forces located in the financial capitals of the West. It made the megacity even bigger. Urbanism was touted as the tool to mobilize and coordinate power and trade globally. It benefited the middle classes. The current climate crises signals the moment when a new sustainable system cannot be derived that balances global finance and local environmental priorities. Until this is derived the urban mess and gross inequity that we see distressingly remain a blot on our conscience. Urban and rural unrest will be on the rise everywhere while planet earth reaches tipping point environmental crises. This is the reality. Architecture and human settlement planning has a never before such a slew of challenges. In this light, the obsessions with style and expression seem futile and down-right inmoral indeed.

    The key issue that needs to be deconstructed today is therefore Urbanism, urbanisation and urbanity, concepts taken to be inevitable and undeniably desirable. Indeed, mainstream architecture is uncritically premised on these urbanist assumptions Complain as the middle classes will over the pollution, congestion and stress, they are driven by the forces of contemporary hyper urbanisation based on hyper production and hyper consumption. These forces inevitably find expression within the political and popular culture that generates the “politics of fear” ( fear among the middle classes of marginalization and dispossession) and the economics of desire (consumerism in aid of the ‘good-life’ and chic style).

    The development model based on hyper urbanism and hyper consumption is therefore where any rethinking has to begin. The rural/urban dichotomy is the starting point of the necessary reconceptualisation. We need to rethink of the city and the as one space and not two. This is the starting point in addressing social, cultural and environmental justice.

    Relevant architecture therefore cannot come out of old planning since old planning is premised on urbanism. No matter how innovative or aesthetically creative or even perversely provocative, architecture might be within the urban context today only serves to enhance or even exonerate the urbanist assumption. The reality is all around to see in every mega-city in Latin America, Africa and Asia in the form of the ring of surrounding slums. The phenomenon is the result of the rural to urban drift caused by the systemic failure of the countryside to provide viable life choices. Thus the “urban industrial complex” triumphs living off the cheap labour of the poor and the “Military Industrial Complex” that defends it. This is the unjust system that the rise of the urban middle classes legitimizes unwittingly. “Happy Cities” is the result of miserable countrysides!

    My call “Rubanisation”, a term I had to invent is not a Pol Pot proposition at all, it is a call for balanced development; of viable rural settlements and slimmed-down mega-cities, both providing viable life choices for everyone. Rubanism or urbanism is not one or the other. It is both to different degrees where the economy and the politics is supportive of environments conducive for everyone to work, to live, to learn, to play, to farm and to heal. This is the prospect of a whole paradigm shift in perception, planning and therefore architecture.

    A new model of how humans should live on planet Earth; living better with each other and with nature is the task of the 21st Century where social justice, cultural justice and environmental justice are attainable for all. It will be democratic because its life support systems are decentralized into Ruban settlements and yet centralised in the big cities where the highest levels of medical research and treatment, the highest levels of academic, scientific and artistic research, production and teaching, where the highest media production, where the highest levels of finance and strategy and the highest levels of technological prototyping and available product choices are all located. A value shift accompanies this change away from the toxic urbanist propositions we uncritically embrace as progress. All this rethink is predicated on the reconceptualisation of the entire physical landscape, the political landscape and the economic landscape all together.

    It is clear that even if a zero carbon energy regime is achieved, the depletion of nature and the degradation of the environment cannot be halted without such a value shift towards new and deeper forms of human satisfaction linked to family, community and personal fulfillment and rapprochement with nature.

    Asia can only lead in this new paradigmatic change rather than slavishly patterning after the defunct western industrial and consumption model of development and growth if its thought leaders have the courage to break out of the usual mould. This is the greatest task in the “Anthropocene” age we now fine ourselves in. Human actions have by now reached such a level of impact on nature that John Nash’s “game theory” operates. In game theory action and reaction has induced a necessary reaction against reaction. The environment created has now to be responded to. I will talk more about these basic ideas when we have the chance to meet. Meanwhile those of you interested can review the “www. rubanisation.org” website I set up. There is also a short entry on Rubanisation in Wikipedia.

     

    Result :

     

    Proposal

    Criticism

    1. Integrated industrial and agricultural prototype.

     

    Business plan must come first: business plan is critical to convince the developers or industrial owners to adopt the idea of integrating with agriculture
    1. Job opportunities for rural people in the cities. Everyone can benefit

    Response: Private initiative is the way to proceed, not the government or authority – in Indonesia, government authority is absent so private initiative is a must.

    -          To solve the problem ourselves.

    -          In solving own problem we solve the world problem. Thinking small is also about thinking big

    -          In other countries, developers are the one taking control over development.

     

    Individual, community and family have the responsibility instead of authority?*in Singapore the model is authority based.

     

    1. We need to produce good ideas.

    Response: we have done it. One of the ideas is to support the rural development with cultural elements as the pride of the community. To develop the rural areas from cultural base – to construct their own pride. Development has to consider cultural element.

     

    For business to be viable, funding is critical. Creative way of creating money out of nothing, must followed by funding. Must get people to be interested in the development through new technologies etc. 

    TKS* idea of Rubanisation: the next mode of economy is in rural and agriculture. Finding new techniques to produce. To convince financers about this new idea and way of development.

     

    How can an architect become a developer that has got noble ideas.

    1. Architects need power to affect development. Architects to get into politics.

     

    *HITLER (failed example of the proposal) 

    It is the nature of politics that you’ve to serve. Architects tend to solve problems architecturally?

     

    1. Jobs for different family members must be produced
    Agreed but culture must evolve.
    Bad culture must be eliminated and good one should be preserved and evolved.
    1. The new definition of progress must respect renewability and nature: Sustainable progress.
    Scientific relationship with culture has to be resolved. (to be further discussed)

     

    1. How can an architect become a developer that has got noble ideas? How can you get power without getting corrupted?

    Response: Architectural education is important to educate potential architecturally educated developers and financers to becoming collaborators sharing the same vision and idea.

    How can we collaborate if we don’t share the same vision/idea?The temperament of architect not necessarily equals the temperament of developers.
    1. If we are service providers, we have to take the opportunity to serve beyond money. Architects have to write the policy followed by design. Architects have to be involved in policy formation.
    Sensitive architects are not policy makers. Architectural school should be the policy maker.Wrong people = wrong policy.

     

    Problems in Architectural education and practice.

    1. Root of the problem lies in architectural education. (technically competent, but not in thinking)

     

    Practitioners are not setting good example.Architectural schools are bad. Self training should be respected. Apprenticeship is the way. Or make new type of school (what type?)

     

    1. Students seduced and influenced by media. Should have exposed to different perspectives to make them aware of different propositions in architecture.
      * Response: many great developments in China still done by architects from the west.
    The real breakthrough in new thinking must come from Asia. The west is not the main driving force in Architecture.

    • Must design by re-thinking of the current development paradigm: design for NEW development paradigm
      - social cultural and environmental justice for new development paradigm.
      - redefine what profit is: profit means creations of economic system that achieve social, cultural and environmental justice, not monetary justice.
    • To set up example/precedents for thinking of the new development paradigm.
    Media/websites are dangerous: online architectural competitions are highly sought after for recognition of winning an international competition. End result: Dubai.World winning jobs: visually attractive but not intellectually – ‘pornography’ in architecture. Avoid all competitions. Form groups collaborating with each others, bringing in financers and other professions from other disciplines etc to build new vision & to publish it.Internalizing is a problem in western architectural education. New set of thinking and imagery for Asian architecture needed to be constructed, not borrowed from western architecture.

    But online exhibition of new ideas should be encouraged (how is it then different from online competition?)

    Online architectural competition is a good platform to discuss ideas. Judging component and competition to be separate entities.OR. Collaborative workshop would be better than competition – no judge involved, but open dialogue. No winning, reasoning behind the scheme would be shared for learning.
    {No comments}

    Surprise Stove #6 – rumah rumah tanpa pintu exhibition with chef syafril, jongarsitek

    19 July 2011 by p.khrisno.a.
    Categories: Brilliant!, News and Updates

    {No comments}

    jongBerbagi! sharing dan presentasi di kota pemenang.

    12 July 2011 by p.khrisno.a.
    Categories: Brilliant!, News and Updates, We Proudly Present..

    Jumat, 25 Juli 2011 berlangsung acara diskusi arsitektur di Jurusan Arsitektur Institut Teknologi Sepuluh Nopember (ITS) Surabaya mengenai kuliah umum Rem Koolhaas di Jakarta. Acara yang dihadiri Profesor Josef Prijotomo, dosen-dosen arsitektur ITS, alumni dan mahasiswa arsitektur ITS ini berlangsung hidup karena diisi dengan diskusi-diskusi dan perdebatan menarik .

    Acara ini di prakasai oleh Defry Agatha dan Endy Yudho Prasetyo dari studio Ordes yang juga menjadi staf pengajar di Jurusan Arsitektur ITS. Berangkat dari keprihatinan akan rendahnya atmosfir berarsitektur di kalangan mahasiswa arsitektur Surabaya itu sendiri. Mereka berdua kemudian, bersama Delta Perdana, mahasiswa arsitektur ITS, yang juga memiliki rasa keprihatinan yang sama, menggagas acara diskusi ini. Momen Euforia kedatangan Rem Koolhaas ke Jakarta dirasa tepat untuk memulai membangkitkan atmosfer berarsitektur ini. Kebetulan mereka bertiga baru saja mengikuti kuliah umum Rem Koolhaas di Jakarta dan ingin membagi pengalamannya ke sesama rekan arsitek dan mahasiswa arsitektur di Surabaya.

    Acara berlangsung dua jam dimulai dari pemaparan mengenai Jong Arsitek sebagai salah satu komunitas arsitektur yang selama ini berhasil menghidupkan atmosfer arsitektur di Indonesia oleh Defry Agatha. Lalu Delta Perdana memaparkan tulisannya yang ia tulis untuk Jong Berbagi dan memaparkan isi kuliah umum Rem Koolhaas dan David Gianotten.

    Jika mereview acara, Delta dan Defry lebih berperan sebagai korek penyulut ledakan karena satu setengah jam berikutnya diisi diskusi yang lebih menarik dari peserta yang datang. Wahyu Setiawan, akademisi, menceritakan kekagumannya akan sirkulasi yang diciptakan dalam bangunan Rem Koolhaas ketika ia berkunjung ke karya Rem Koolhaas. Tjahja Tribinuka, praktisi dan akademisi, mempertanyakan kembali konsep estetika dari OMA dan menantang para dosen di ITS untuk melakukan hal yang dilakukan oleh OMA dalam proses perancangannya untuk diajarkan ke murid­murid arsitektur ITS. Sepertinya membahas estetika dan programming ala Rem Koolhaas menjadi suatu pembahasan yang selalu menarik dan tak akan pernah ada habisnya. Akanselalu muncul perdebatan panjang mengenai metode terbaik dalam merancang. Rem Koolhaas sebagai salah satu arsitek berpengaruh di dunia abad ini bahkan tak selamanya diamini semua orang. Sempat muncul celetukan guyon dari Prof. Josef kalau dia lebih menyukai Frank Gehry dibandingkan Rem Koolhaas.

    Dan dengan bijaknya, Ir Sugeng Gunadi, sebagai salah satu arsitek senior yang hadir menyimpulkan bahwa semuanya kembali lagi ke pribadi masing-masing. Dengan rendah hati dan inisiatif sendiri beliau mempresentasikan proyek terbarunya, museum Abdulrahman Wahid (kalau penulis tak salah ingat) disertai proses disain yang beliau yakini sebagai yang terbaik untuk beliau pribadi. Beliau bahagia dan berterima kasih karena masih ada generasi muda yang mau bangkit dan bersemangat dalam berarsitektur. Pemikiran-pemikiran dan usaha generasi muda seperti ini perlu ditanggapi serius. Regenerasi akan terus ada, Rem Koolhaas pun suatu saat akan berakhir masanya dan digantikan dengan yang lebih muda.

    Defry berharap bahwa acara diskusi-diskusi seperti ini selayaknya perlu terus rutin dilakukan oleh kampus yang tentunya diikuti dengan semangat oleh setiap generasi, tak hanya dimonopoli generasi tua saja. Hal ini juga diamini oleh Endy Yudho dan Delta Perdana. Generasi masa depan adalah generasi kreatif. Siapa yang kreatif, dia yang maju.

     

    [Show as slideshow]
    jb_oma_sby00
    jb_oma_sby01
    jb_oma_sby02
    jb_oma_sby03
    jb_oma_sby04

    ——————————————

    [Show as slideshow]
    jb_oma_jogja00
    jb_oma_jogja01
    jb_oma_jogja02
    jb_oma_jogja03
    jb_oma_jogja04
    jb_oma_jogja05
    jb_oma_jogja06
    {No comments}

    KeukenBDG : Cooking Soon!

    8 July 2011 by p.khrisno.a.
    Categories: News and Updates

    Dalam kejenuhan perkotaan dan monotoni kolektif yang sesak, usaha pemenangan ruang publik menjadi sebuah ide yang kemudian sering diusahakan banyak pihak. Keuken mengambil kesempatan pemanfaatan ruang bersama kota ini dengan kemudian menyandingkan komoditi dasar sebagai sumber festivity: makanan.

    Pada perkembangan pemenuhan kebutuhan pangan manusia pula kami telah melihat segala komodifIkasi yang menyenangkan, dari bentuk fancy dining termahal hingga tumpengan paling sederhana. Pemenuhan lapar yang terbawa bersama menjadi sebuah perayaan tampak begitu menarik, hingga dalam banyak contoh kita bersedia membayar untuk terlibat dalam perayaan-perayaan yang mengenyangkan ini.

    Kota Bandung, yang telah bergerak menuju beratus-ratus lapisan urban dan rural yang saling menumpuk dan berhimpit, pun masih hams memperjuangkan ruang-ruangnya sendiri. Sedang perayaan, lebih lagi dalam usaha pemenuhan perut, tidak pula asing di telinga warga kotanya- sehingga usaha Keuken dalam mengumpulkan seluruh pelaku beratus lapis kota tadi tentu bukan tanpa basis.

    Keuken mencoba menjawab kembali usaha pengembalian ruang kota dalam bentuk keragaman pelakunya- saling merayakan sebuah kegiatan makan bersama. Diadakan setiap termin tiga bulan Keuken akan mengisi penuh venue dengan stand makanan dari banyak tenant undangan yang telah terkurasi sesuai dengan tema, serta berbagai sarana edukasi dan hiburan yang mencoba menarik seluruh lapisan pelaku kota, terfokuskan pada jarak usia 19- 26 tahun, dalam satu tempat terbuka.

    Impresi pengunjung akan terpancing dalam kolase perayaan alun-alun kota; selebrasi sepanjang jalanan kota yang menyembulkan kejutan hiburan tiap sudutnya. Mengambil tema spesifIk pengisi perut yang berbeda-beda tiap tiga bulannya, Keuken diharapkan dapat menjadi pelepas kepenatan, teriakan dan klakson dan debu kendaraan menjadi renyahnya pemenangan ruang publik kota dalam setiap gigitan makanan yang dirayakan bersama.

    We’ve made it easy for you to have a great time in the street! so come on come out of the barn, and reclaim the street, EAT!

    Read more

    {No comments}

    jongSinema!Kuliah Umum Rem Koolhaas

    6 July 2011 by p.khrisno.a.
    Categories: Architect Does!

    {2 comments}

    jongBerbagi! : Rem Koolhaas dan Penjajakan Zaman di Arsitektur

    6 July 2011 by p.khrisno.a.
    Categories: Brilliant!

    LESS IS MORE, LESS IS BORE, MORE IS MORE, MORE AND MORE!
    “Rem Koolhaas dan Penjajakan Zaman di Arsitektur”
    Faisal Zulkarnaen

    Lahir didalam masa penjajakan arsitektur yang terkotak-kotak dalam sebuah gagasan konseptual yang dianggap “sakral” pada masa nya. Betransformasi menuju hierarki lain sesuai dengan landasan di zaman tersebut. Ketika Mies Van der Rohe dan Le Corbusier yang merupakan founding fathers dari keberadaan Modern Architecture melahirkan konsep “Less is More”, revolusi arsitektur pun terjadi. Dengan konsistensinya dalam mengeliminasi ornamen¬ornamen yang tidak penting dan juga bentukan-bentukan yang menghasilkan workspace yang tidak fungsional, Van der Rohe mampu menciptakan tabula rasa dari konsep dan ruang yang terbentuk dengan munculmya modernisme dan minimalisme.

    Disusul dengan munculnya Robert Venturi yang lahir dalam masa postmodern. Merupakan gebrakan dari kemonotonan yang terjadi pada arsitektur modern. “Less is Bore” menjadi kontra-revolusi terhadap modernism yang menawarkan kompleksitas dan kontradiksi daripada simplisitas dan kekonsistensian yang sudah terjadi selama masa Mies Van der Rohe. Read more

    {1 comment}

    jongBerbagi! : Rem Koolhaas dan Dunia Akademis Arsitektur Indonesia

    6 July 2011 by p.khrisno.a.
    Categories: Brilliant!

    Rem Koolhaas dan Dunia Akademis Arsitektur Indonesia
    Delta Yogo Perdana

    Sekitar tiga setengah tahun lalu, ketika saya duduk ditahun pertama di sekolah arsitektur di Surabaya prinsip-prinsip order dari arsitektur klasik yang digunakan seperti unity, harmony, dan balance untuk menghasilkan produk yang estetis. Hal ini seolah menjadi pegangan utama dalam studio perancangan arsitektur.

    Masalah mulai timbul ketika mahasiswa mulai terjebak dengan pemahaman yang setengah-tengah. Keterbukaan arus informasi tak begitu dimanfaatkan untuk memperdalam prinsip-prinsip desain yang diajarkan. Keterbatasan kosa kata desain dan pemahaman makna estetika membuat kebanyakan mahasiswa hanya berkutat pada konsep desain yang terkesan dipaksakan, tanpa ada argumen yang kuat akan desainnya. Read more

    {3 comments}

    jongKuliah! dan jongBerbagi Rem Koolhaas

    5 July 2011 by p.khrisno.a.
    Categories: News and Updates

    [Show as slideshow]
    OMA-AMO (10)
    OMA-AMO (11)
    OMA-AMO (12)
    OMA-AMO (13)
    OMA-AMO (14)
    OMA-AMO (15)
    OMA-AMO (16)
    OMA-AMO (2)
    OMA-AMO (4)
    OMA-AMO (5)
    OMA-AMO (6)
    OMA-AMO (7)
    OMA-AMO (8)
    OMA-AMO (9)
    OMA-AMO

    foto oleh Nuwalarupa

    {No comments}

    jongArsitek! mempersembahkan : Pameran Rumah Rumah Tanpa Pintu

    27 June 2011 by p.khrisno.a.
    Categories: Architect Does!, News and Updates

    [Show as slideshow]
    1
    10
    11
    12
    13
    14
    15
    16
    17
    18
    19
    2
    20
    21
    22
    23
    24
    25
    26
    27
    28
    29
    3
    30
    31
    32
    33
    34
    36
    37
    38
    39
    4
    40
    41
    42
    43
    44
    45
    46
    47
    48
    49
    5
    50
    51
    52
    53
    54
    55
    56
    57
    58
    6
    7
    8
    9

    foto oleh Astrid Reniza, dan Dia.lo.gue

    Bagaimana jika alat untuk menentukan tingkat privasi dari sebuah tipologi arsitektur paling privat, dihilangkan? Bagaimana privasi bisa didapat dalam sebuah rumah, jika pintu kemudian dihilangkan?

    Read more

    {9 comments}

    Kuliah Umum ” Culturally and Environmentally Responsive Architecture and Planning” oleh Daniel Glenn

    17 June 2011 by p.khrisno.a.
    Categories: News and Updates

    {2 comments}
    Page 3 of 16«12345...10...»Last
    • Home
    • We are the Jongs!
    • jongIndonesia!
    • Grab a magz!
    • jongBincang!
    • Meet and Greet :)
    • Need to Contact Us?
    • Shop!
    • News and Updates
    • We Proudly Present..
      • We are Architects
      • Brilliant!
      • Architect Does!
    • digiMove
    • Follow Us On

    • Recent Posts

      • Diskusi “Ruang Alternatif anak dalam Berkreasi dan Belajar”
      • Open House Exhibition : AFAIR 2012 “Play with Your Surrounding”
      • ARCHWORX oleh Himpunan Arsitektur Bina Nusantara
    • Recent Comments

      • cung on jongJelajah! Singapura
      • frumensius rosman leku on vidour : Wae Rebo Series – Ngole Wae Rebo | Wae Rebo Journey
      • Benzz on Indonesian Dream_0357 (2nd winner of the 2010 Skyscraper Competition)
    • architerian-160-60-1
    • vidour
     
    Copyright © 2009 JongArsitek!.com. All rights reserved.
    Wordpress, theme design by Infochel. Hosting by Raxdata Networks.